Colonial Metropolis: The Urban Grounds of Anti-Imperialism and Feminism in Interwar Paris

World War I gave colonial migrants and French women unprecedented access to the workplaces and nightlife of Paris. After the war they were expected to return without protest to their homes—either overseas or metropolitan. Neither group, however, was willing to be discarded.

Between the world wars, the mesmerizing capital of France’s colonial empire attracted denizens from Africa, the Caribbean, and the United States. Paris became not merely their home but also a site for political engagement. Colonial Metropolis tells the story of the interactions and connections of these black colonial migrants and white feminists in the social, cultural, and political world of interwar Paris. It explores why and how both were denied certain rights, such as the vote, how they suffered from sensationalist depictions in popular culture, and how they pursued parity in ways that were often interpreted as politically subversive.

Reverse Exoticism and Masculinity: The Cultural Politics of Race Relations

The black colony was sculpted from the elements of racial and political solidarity, but Paris was still dominated in the eyes of black people by white men. In consequence, strategies for sociocultural independence could not follow straightforward political lines, in particular with respect to the phenomenon of negrophilia. How did black men respond to their categorization as exotic others when faced with a vogue nègre that threatened to leave them voiceless? How did they reinforce their control not just over the political milieu they had forged in part through racial bonds, but also within the broader cultural sphere of the capital?