The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism

Posted on by Simon Fokt

A pathbreaking work of scholarship that will reshape our understanding of the Harlem Renaissance, The Practice of Diaspora revisits black transnational culture in the 1920s and 1930s, paying particular attention to links between intellectuals in New York and their Francophone counterparts in Paris. Brent Edwards suggests that diaspora is less a historical condition than a set of practices: the claims, correspondences, and collaborations through which black intellectuals pursue a variety of international alliances.

Edwards elucidates the workings of diaspora by tracking the wealth of black transnational print culture between the world wars, exploring the connections and exchanges among New York–based publications (such as Opportunity, The Negro World, and The Crisis) and newspapers in Paris (such as Les Continents, La Voix des Nègres, and L’Etudiant Noir). In reading a remarkably diverse archive—the works of writers and editors from Langston Hughes, René Maran, and Claude McKay to Paulette Nardal, Alain Locke, W.E.B. Du Bois, George Padmore, and Tiemoko Garan Kouyaté—The Practice of Diaspora takes account of the highly divergent ways of imagining race beyond the barriers of nation and language. In doing so, it reveals the importance of translation, arguing that the politics of diaspora are legible above all in efforts at negotiating difference among populations of African descent throughout the world.

A Question of Allegiance: African American Intellectuals, Presence Africaine and the 1956 Congres des Ecrivains et Artistes Noirs

Posted on by Simon Fokt

Recent scholarship has demonstrated that in the period from 1945 through to the late 1950s African American intellectuals re-oriented their activism from an internationalist and human rights framed agenda towards a domestically bound struggle. This article will contribute to this literature by mapping out a facet of African American intellectual engagement with the African diaspora during this period. Of particular focus will be African American reactions to the journal Présence Africaine and the conference sponsored by the journal in 1956, le Congrès des écrivains et artistes noirs. Iwill argue that the experiences of a select group of African American delegates to this Congrès served to emphasise the radically different objectives and strategies of nationalities within the African diaspora, thereby consolidating black American perceptions of themselves as first, and foremost, American. In interrogating this diasporan dimension of the period, this article will shed light on a neglected aspect of African American history and expand the intellectual and political boundaries of the black freedom struggle.

Soundscapes of Liberation. African American Music in Postwar France

Posted on by Simon Fokt

In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military’s wartime records and radio programs; the French record industry’s catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African American music was intertwined with contemporary structures of racism and imperialism, Moore demonstrates this music’s centrality to postwar France and the convergence of decolonization, the expanding globalized economy, the Cold War, and worldwide liberation movements.